Deborah Roberts

Summer/Fall 2017 Update   Power Dance , 30 x 22 cm Look for my work at the Chicago Expo in September 13-17 2017 Red dots and Hot water, 30  x 22 cm It’s funny how one part of my life has come full circle since my studio visit with the Studio Museum in Harlem. In 2006 I travelled to SMH to speak with Lowery Stokes Sims, then their executive director, and left with the feeling that much more work and scholarship needed to be done.  I met with SMH’s newest associate curator Connie Choi and assistant curator Hallie Ringle and felt good about it. Of course there is always work to do, but I feel much closer.  Twins  (2017) is now part of their permanent collection! Thelma Golden before  Twins   Nobody’s Darling: Women and Representation  at UT Austin’s Christian-Green gallery continues over the course of this summer and concludes on August 4, 2017. As I’ve said, I’m thrilled to have support in Austin and am as happy to see varying interest across the US. I

Ok, so I've been away for a sometime now, but I'm back with some nuggets from my months away. One of the things I'm finding hard lately is documenting my work before it goes into the art world never to be seen or heard from again. Hiring a professional photographer is great, but if you can't afford one simply taking a iPhone photo may have to work. Your work is an investment and it's something you must take seriously, because if you don't it shows. I can't tell you how many time I have sent jpegs out with chopped hair, feet and arms, looking back it's embarrassing. Remember, everything you do as an artist is an investment in yourself and your practice. Lots of galleries and dealers show clients work from images from computers, email, laptops and other devices at fairs, special events and sometimes right there in their space. It shows that you care about how your work is presented and that you are a professional ready for the next level clients. Image qua