Deborah Roberts

So many times i've been told, " why did you make it so big?" Most of the time i say to myself ... " that's none of your concern," but i typically give a generic answer. I am a artist who paints both large scale painting and small works, because I find that sometimes a small whisper carries just as much punch as a loud scream. My work deals with controversial issues like race and beauty so i have to be careful in my practice not to come across as angry or resentful. Large scale painting tend to me to be historic and powerful and makes us all mortal in front of them. I love that! Last night I had the chance to meet artist Jack Whitten at a lecture here in Austin. It was amazing to here him speak on potency of doing large scale works long side smaller ones. He champion this notion that if the message was clear and succinct size didn't matter. I agree with that statement! Look, if i were paint a 2in by 2in painting of a lynching which is very disturbing but

Is political art turning you off? I guess to most artists who haven't really been under the shoe of oppression might think that making political is boring, limiting and overused. I was asked in my thesis defense, "Haven't the art world had enough of Black beauty?" I am paraphrasing but you get the meaning of the question. What does one say to a question like that? When we look at beauty magazine covers on news stands few if any have a Black face on the cover.   In the current issue of InStyle magazine featuring Kerry Washington  the editors thought "lightening her skin" was acceptable. Her beauty wasn't in question, her skin tone was. I think art and politics go hand and hand, it's the "politics of respectability." Below is segment of my views on gaining respectability through the use of grotesque imagery. The Grotesque in Art History Theorists and historians have explored the social and cultural contexts

So, like most of you I want to do well in the Art World! Mostly, for myself but partly because of the people who think its impossible to do so. I get it, it's not easy, but if this is the one thing that give you a sense of purpose you have to go for it! Yesterday, I meet a older artist who gave me so many excuses to why he hadn't found any real success that I wanted to throw up once he explain the reason for his lack of success. First, there was his fantasies about how the Art World works, then there was this notion that if he just made work the business end will take care of itself. Then there was the idea that,"My work is too powerful for the masses" then in the same breath... "No one will show me, (pause) if i could just have a solo show show ..." or this one "My work is about the Black experience." Really, because no ones ever done work on the Black experience before! Ok, ok, ok, now here's the kicker,"I really don't paint that oft