Skip to main content

Feeding the beast!

I really don't get to travel that much, so when I go I definitely try to absorb as much as possible. I meet as many artists and curators as I can, visit as many galleries and museums as I can afford to see. Because, it's important, as artist we need to feed the beast, the machine that fuels and generates the work we produce. Normally, after these types of trips I want to remember everything and forget nothing. It never truly last, but I can see it later in my work ... the lengthening of ideas.
Every time I write one of these blog post I am reminded of just how important it is to broaden your practice. Residences, art lectures, openings, art conversations and artists retreats are key! If you think that it's just about the physical act of creating then you are missing out on some vital components of your practice.
I met with an amazing curator while in New York who talked about how to function in the art world and not get caught up in the minutia that surrounds it, to know what's important and how not to lose your voice. To be authentic in your practice and not conform or appropriate someone else's artwork. The time I took off reenergized me and lead me to add a new layer to my work, which is great.
At the end of the day... what is meant for me will happen, if not, then maybe in another lifetime.
But for now, I'm back to work.

Check out this great speech by Carrie Mae Weems.


Popular posts from this blog

Studio Update

Summer/Fall 2017 Update

Power Dance, 30 x 22 cm Look for my work at the Chicago Expo in September 13-17 2017

Red dots and Hot water, 30 x 22 cm
It’s funny how one part of my life has come full circle since my studio visit with the Studio Museum in Harlem. In 2006 I travelled to SMH to speak with Lowery Stokes Sims, then their executive director, and left with the feeling that much more work and scholarship needed to be done.  I met with SMH’s newest associate curator Connie Choi and assistant curator Hallie Ringle and felt good about it. Of course there is always work to do, but I feel much closer. Twins (2017) is now part of their permanent collection! Thelma Golden before Twins Nobody’s Darling: Women and Representation at UT Austin’s Christian-Green gallery continues over the course of this summer and concludes on August 4, 2017. As I’ve said, I’m thrilled to have support in Austin and am as happy to see varying interest across the US. I will participate in the 2017 Art on the Vine atMart…